Pakistani Movie Lali Review: Sarmad’s Debut at Berlin Biennale

In a historic achievement for Pakistani cinema, director Sarmad Sultan Khoosat’s feature film ‘Lali’ made its world premiere at the Berlin International Film Festival this week. This marks the first time a feature-length film produced in Pakistan has ever been showcased at one of the world’s three most prestigious film festivals. The screening took place in a packed hall, where the audience welcomed the project with immense enthusiasm and a warm reception.

Official Premiere and Audience Reaction

According to Independent Urdu, the world premiere of ‘Lali’ on Thursday was attended by prominent figures, including members of the Pakistani community in Berlin and the Pakistani Ambassador to Germany. The high level of engagement from the audience underscored the significance of the event, as the film received a standing ovation. Sarmad Sultan Khoosat expressed that debuting at such a massive platform brought a profound sense of accomplishment coupled with a heavy weight of responsibility.

Plotting the Narrative in Sahiwal

‘Lali’ is a Punjabi-language black comedy that revolves around the lives of Sajawal, played by Channan Hanif, and his new bride Zeba, portrayed by Mamiya Shajfar. Set in the working-class environment of Sahiwal, the story delves into local rumors and superstitions. The plot suggests that Zeba lives under a shadow or a curse following the mysterious death of her former fiancé, blending realistic social dynamics with mystical undertones.

Directorial Vision and Cultural Roots

Director Sarmad Sultan Khoosat noted that the success of a film deeply rooted in its own culture serves as a symbol of validation on the global stage. The film skillfully utilizes the unique humor for which the Punjab region is famous, primarily through the character of Sohni Ammi, the matriarch of Sajawal’s family. The narrative begins with a chaotic wedding celebration where men are encouraged to fire guns, leading to an accidental injury that sets the tone for the film’s blend of comedy and tragedy.

Addressing Complex Social Themes

While the film employs dark humor, it alternates with serious themes such as desire, sexuality, and incurable trauma. Elements of magic and the supernatural are woven into the story, though Khoosat pointed out that nothing occurring on screen is physically impossible. This layered approach allows the film to explore the human psyche and societal pressures while maintaining an engaging, artistic cinematic experience for a global audience.

The Legacy of Joyland and Collaboration

‘Lali’ shares a creative connection with Saim Sadiq’s ‘Joyland,’ which was the first Pakistani film to premiere at Cannes in 2022. Interestingly, Sarmad Sultan Khoosat served as the producer for ‘Joyland,’ while Saim Sadiq reciprocated by working as the editor for ‘Lali.’ This collaboration highlights a thriving network of modern Pakistani filmmakers who are supporting each other to push the boundaries of local cinema and gain international recognition.

A New Generation of Filmmakers

Sarmad Khoosat reflected on the decline of the Pakistani film industry, which once produced over 100 films a year but has struggled over the last two decades. He emphasized that while the industry faced a ‘slow death’ due to a failure to meet the needs of new audiences, a talented new generation of filmmakers is now emerging. He hopes that screenings at platforms like Berlinale will provide the necessary momentum and facilities to further revitalize the national film industry.